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videomaker
magazine tips
This article originally appeared in the Videomaker
Magazine May, 2002 issue. Pages 57-60
Reprinted with permission from Videomaker Magazine,
Chico CA., Videomaker Inc. All Rights Reserved
Call: (800) 284-3226 for subscription information
For this and other articles visit us at www.videomaker.com
©2005 Videomaker Magazine. Reproduction of
this article for any use other than personal is prohibited.
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Make
|
-up |
| |
for
|
Video |
As
a video producer, you have to be a jack-of-all-trades.
You need to be a master of shot composition, lighting
and audio. To get the most out of your talent,
you need to be a good director, and to put it
all together, you need to master a slew of post-production
techniques. Many videographers focus so much on
these production skills that they overlook a simple
step that can make their productions look more
professional. That step? Make-up.
It
is important that your talent look its best on
camera. Here are some practical make-up tips that
you can apply in 10 minutes or less, even if you
don't know the difference between mascara and
foundation. This article will explore three different
people that you might encounter as you set out
to shoot video, and tell you how to choose the
best make-up strategy for each person. Along the
way you'll learn principles that you can apply
to anyone that you shoot for your productions.
The pros do it. You can too. |
|
by
Sofia Davis |
|
|
Person
#1 - Darrell
African-American
Male (Age: 30)
Make-up
Tools:
Hypo-allergenic translucent (loose) face powder,
box of tissues, disposal lip brushes, eyelash
comb, dark brown (smooth) eyebrow pencil, lip
primer.
Purpose: Use translucent powder
to remove the shine from the face without changing
the natural skin tone. This is a must for on-screen
personalities with dark skin. This powder comes
in a loose or compact form. Hypo-allergenic powder
is for sensitive skin and since you probably don't
know what type of skin your talent has, it is
best to use one that is hypo-allergenic. |
|
Application:
1.
Start with a clean, dry face. Use a tissue to
wipe away any moisture. |
 |
| 2.
Drape an apron or towel over the talent to make
sure no make-up residue gets on the clothes. |
 |
| 3.
Using a medium-size powder brush, apply a small
amount of translucent powder to the forehead, coming
down around the cheeks and finally covering the
entire face. Do not apply to the neck area. You
should apply only as far as the jaw line and blend
it from there, so it looks as natural as possible.
|
 |
| |
Make-up
Tricks of the Trade |
| With
all make-up applications, start with a clean, dry
face and never apply make-up below the jaw line.
Carry disposable brushes and hypo-allergenic powder. |
| 4.
With the eyelash comb, brush the talent's eyebrows
in the direction they naturally grow. This will
give the face an even look, with all facial hair
going in the correct direction. |
 |
| 5.
With the eyebrow pencil, going in the natural direction
of the eyebrow, run a very light pencil over the
eyebrow. This prevents your talent's features from
washing out under hot studio lights. |
| 6.
Get your lip brushes and primer ready. Stroke the
brush across the lip primer - (never place the lip
primer directly on the talent's mouth) and apply
the primer to the lips in even strokes. |
 |
Person
#2 - Jessica
White
Female (Age: 21)
Make-up
Tools:
Liquid foundation (full coverage), concealing
cream, loose powder, blush, lip liner, lip gloss
(semi-transparent), eyebrow pencil, eyelashes/adhesive,
mascara, tweezers, triangular sponges and cotton
swabs.
Purpose: Liquid foundation gives
the skin a smooth, even look. Full-coverage foundation
will block out any blemishes or blotches that
would normally show up under hot lights and video
closeups. |
| .
Application:
1.
Start with a clean face. Apply concealing cream
to any areas that appear dark (under the eyes)
or to any skin discoloration. Blend. Professionals
often apply some concealing cream under the nose
to highlight any area shadowed by the lighting.
|
 |
| 2.
Using a triangle sponge, place a small amount of
foundation on the sponge and apply in upward/circular
strokes. When applying foundation around the nose
and under the eye area, be extremely careful. Use
light stokes that go inward toward the nose. The
skin under the eye is the most sensitive. |
 |
| 3.
With the powder brush, apply loose powder to the
face, using light, even strokes. |
 |
| His
and Hers
In
general, you can let women apply their own make-up
(most of them will probably be more experienced
at it than you are). Even so, you should still
have the final say. Check the make-up to make
sure it will work well for the camera. |
For
their peace of mind, apply men's make-up in a
private place if possible, not in front of a group
of people. |
Men,
on the other hand, should not be left to apply their
own make-up. Most men are really not familiar with
make-up and welcome help in this area. The majority
of men will resist make-up applications, but will
understand once you explain they will look better
on camera. |
| 4.
With the blusher brush, swipe blush over the cheeks
(start from the cheek and mid-center eye and brush
into the temple). The color concentration should
be on the cheek itself. The closer you get to the
temple, the lighter the blush should appear. Reminder:
keep lipstick and blush in the same color family.
Do not let your talent wear pink lipstick and red
blush; this will give the talent's face an awkward
appearance. |
|
| 5.
Use lip liner (in the same color family as the lipstick)
to line the lips before applying gloss. This will
prevent the lipstick from "bleeding" on
screen. If you would like to make lips appear smaller,
move the lip liner inside the lips' natural line.
To make lips appear larger, apply the lip liner
outside of the lips' natural line. Apply lip gloss/lipstick
with a disposable lip brush. |
 |
| 6.
Brush the eyebrows in the natural direction of growth.
Apply eye pencil to the eyebrow with a medium/light
hand. |
|
|
Person
#3 - Arnold
Balding
male (Age: 55)
Make-up
Tools:
Compact sheer face powder, oil-free/water-base
sheer liquid foundation, blush, lip primer, disposal
lip brushes, eyelash curler and comb, and eyebrow
pencil.
Purpose: Water-based sheer liquid
and sheer powder create a natural appearance.
The talent should appear to not have on any make-up,
but should also not glisten or shine under your
lights. |
|
Application:
1.
Start with a clean, dry face. Also, wipe any shine
or moisture on the bald area of the head. |
| 2.
Apply a matting lotion or liquid powder to the head
and face. This is used directly on a clean face
and head to prime the area and prevent shine. |
 |
| 3.
Apply the sheer foundation, so the talent does not
appear "made up." Blend to the jaw line.
Place emphasis in the eye area, making sure there
are no dark spots. Also, make sure the shaving area
of the face is smooth. Utilizing a lighter liquid
than the talent's complexion, blend out any dark
spots that may appear after applying the foundation. |
| 4.
Dust the entire face and the bald area of the head
with sheer powder. Sheer powder can be translucent
or have color to it, but is lighter than other powders
in texture and weight. It will keep the talent from
shining. |
| 5.
Apply a natural blush to the talent's face, something
a little darker than the complexion but in the same
color family. Use an extremely light hand so the
face appears natural to the camera. |
 |
| 6.
Brush the eyebrows in the natural direction they
grow. Run an extra-light eyebrow pencil over the
eyebrow. |
 |
Monitor
Matters
Always
use a monitor to check your subjects' make-up
under the lights you'll be using for the shoot.
You'll find that you may need to use more make-up
for the camera than you would for the naked eye.
|
Powder
- Use
translucent powder to take the shine off the
face without changing the skin tone. Translucent
and color powder come in loose or compact form.
-
Loose color powder gives the face a smooth,
non-oily look. It can be used as a foundation
or applied alone.
- Sheer
powder is lighter in texture than translucent
or regular loose powder. It is available in
a compact or loose form.
-
If the face has too much color, dust it with
powder to tone it down.
|
Wardrobe
Caution
your talent to wear neutral colors. No large stripes,
plaids or reds. Reds tend to bleed, and stripes,
plaids and patterns tend keep the audience attention
on the clothes and not what the talent is saying.
Neutral
colors look the best on camera: tan, blue, gray,
soft greens, etc. You may also want to suggest
that your talent bring two additional outfits,
just in case one does not work with the background. |
| This
article originally appeared in the Videomaker
Magazine May, 2002 issue. Pages 57-60
Reprinted with permission from Videomaker Magazine,
Chico CA., Videomaker Inc. All Rights Reserved
Call: (800) 284-3226 for subscription information
For this and other articles visit us at www.videomaker.com
©2005 Videomaker Magazine. Reproduction
of this article for any use other than personal
is prohibited.
|
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